From inside to outside and vice versa.
The interplay between indoor and outdoor spaces blurs the boundaries between work in the studio and urban space. The building is both a transmitter and a receiver. The all-round glazed glass façade, rhythmised by vertical white pilaster strips, creates a high degree of visual permeability.
Views from the outside enter the interior of the building and, in turn, connect the media players with their immediate surroundings. Two storeys each form a storey package. The three storey packages are skilfully arranged on top of each other, so that the projections and recesses give the solitary building on the banks of the Neckar a sculptural effect.

From the earth to the primal hut - the cycle as a metaphor
The funeral pavilion of the Franciscan sisters of Reute visualizes in a way that is both simple and impressive the power that an ancient cultural technique such as clay construction can exert on us humans. The simple building material was taken from nature and, with the addition of earth from 60 other sites of the Franciscan sisters of Reute around the world, was shaped by experienced architects and craftsmen into a tugurium - the primal hut. Seldom is the process of transformation from nature to culture seen more impressively than in this process. And it is downright astonishing what effect this sustainable and simple use of our natural resources can have on us and our environment. The building material for this house is taken from nature, with hardly any greater symbolic power, in order to become nature again one day in the distant future. With great foresight, the Franciscan sisters of Reute placed their trust in the clay building pioneer Martin Rauch from Schlins/Vorarlberg, as well as the architects Braunger Wörtz from Blaustein, to complete this construction task.